Ench By Sew-024: Shirtdressing and Fall Fun

Hey! 

The latest Enchanted by Sewing Podcast has been published!

Listening Option I) You can listen to the show right on the web by clicking on this link

(http://traffic.libsyn.com/enchantedbysewing/castFINALSHIRTDRESSINGSept2014.mp3 )

~ OR ~

Listening Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes 
( https://itunes.apple.com/us/podcast/enchanted-by-sewing/id566370325)

Please note that the Fantasy Fall Sewing Questionnaire from the show, is at the end. Please post any and all answers below, or email your thoughts to EnchantedBySewing@gmail.com

I've recently started a Shirtdress Sewing Board on Pinterest :-) http://www.pinterest.com/lrshimer/shirtdressing-sewing/

Here are the two dresses I created in September, and talked about in the show

Hey I just realized I'm holding the tapestry cap I focused on
in last month's podcast!

This is the happiest I've ever been with the job I did on a sewing project
:-)

Check out the beautiful Fran Leibowitz photo of Amy Adams that inspired me to finally get cracking on my own shirtdress http://meencantacoser.blogspot.com/2014/08/inspired-by-amy-adams-creating-perfect.html

Della Street often advised Perry Mason in his work, by asking leading questions.
She also wore a lot of shirt dresses!

You often see only the bodice of Miss Streets shirt dresses,
But I can see just enough of the skirt fabric here to see that it's the same as the bodice.
I bet the costume designer altered the same pattern repeatedly for the actress :-)

Della Street, Perry Mason's "confidential secretary" often wore shirtdresses. They gave her a professional and ladylike image.

Look to television shows from the late 50's and early 60's for examples of retro shirtwaists that still look up to date. Below is an example in what appears to be white satin (!) alo from Perry Mason. I love those wide, rounded shawl-collar lapels too. Shawl collars were again popular in the 1980's.

One of Perry Mason's clients wears a shirtdress
in white satin
Love that sheen, and such an unexpected fabric choice!

It's a very full skirted shirtdress
And the bodice has a lot of fabric too - very blousey

I love the wide shawl collar too

OK, the pattern I used is not a current pattern (though I found it for sale in a couple of places on the web). It is however a classic shirtwaist style and you can find many similar dress patterns currently in print. I don't think there's every been a big four pattern company season, when there wasn't at least one shirtdress in every catalog.

I made the version shown here in the front row in blue.

I journaled about the shirtwaist (Peaches and Cream) I created, in my blog, Me Encanta Coser, over the course of September and early on 

Fantasy Fall Sewing Questionnaire

Please post any and all answers below :-)

1)  Roughly where do you live in the world – you don’t need to get too specific.  

2)  What’s the climate like where you live in the fall?  

3) Is there a big change between what you wear/sew in fall versus summer?

4) Which is your favorite fall celebration ? Do you have Halloween or Thanksgiving where you live?  

5)  Do you have special or different foods that says fall to you?  

6). What is your favorite fall fabric – whether or not you’d sew it up in your climate/region?  If different - What is your favorite fall fabric that DOES work well where you live?  

7) What is your favorite fall color – this year?  

8)    Do you have  a specially favorite fall fabric pattern (like a printed design or a pattern woven into fabric)?  

9)  Do you have a fave classic fall garment you’d like to sew or have sewn? Is it for yourself or for someone else?   

10)    Do you hope to sew one or more practical garments for fall, and if so what?  

11)      If different than the previous garment -  Do you hope to sew one or more special  garments for fall? What?

12)  If you could wave a magic wand, and create anygarment that feels like fall what would it be?  

13)  Would that magic wand garment garment play a regular part in your wardrobe, or would you just like to have it and wear it on special occasion(s)?  

Did I miss any links mentioned in the show? If so, please post those links below and share them with everybody

Email- EnchantedBySewing@gmail.com

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An Eye On that New Smart Phone Star in the Sky

Has the smart phone market bubble gone bust?

I read this week, that companies like Apple, HP, and Intel may need to take things down a notch, when it comes to smartphone production. They don't doubt their popularity. Folks continue to enjoy these devices,  it's just that sales aren't growing like they once were. Oh, and they may not be able to charge as much for them. Of course I also read about the market in China heating up for Apple, so I don't think that fruit stand down the street is going to be suffering too much. For those of us without investments in these companies, is a price break a bad thing?  

My main concern is built in obsolescence. Like that stove top we had to replace in less than ten years, whereas the ones I remember from my childhood had been around since the 1930's, and may still be in use somewhere today. If those big companies decide they want to sell me on wearables, instead of a phone, you know I'll be stuck. Although it sure would be awesome to be able to just look down at my wrist to see what time it is, instead of having to get out my phone. Oh wait, isn't that what we all used to do?

I do notice a strong desire to have the latest and greatest smart phone, don't you? Mobile devices seem to have replaced changing fashions in clothes. Yes, believe it or not there was a time before we all wore tee shirts and jeans to work. Hemlines went up one year, down the next, and no gal wanted to be seen dead in last years skirt. Of course men could get by with just switching out the wide tee for the narrow one. Oh a tie, let me try and explain what that was.... 

I wonder who figured out they'd do better selling us on keeping up with the phonies down the street, than getting us to simply fill our wardrobes? I know it's going to cost me more in the long run. I tend to sew my own clothes, but I strongly doubt I'm going to be rolling my own mobile devices.

Built in obsolescence is a big help to mobile device manufacturers - not so much for me.

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Web Resources

Apple, HP, Intel may be hit by slowdown in growth of smartphone sales http://www.siliconvalley.com/ci_25347385/apple-hp-intel-may-be-hit-by-slowdown

Music to Apple's Ears: the iPhone is Mobile China's Leading 4G Smartphone http://www.patentlyapple.com/patently-apple/2014/03/music-to-apples-ears-the-iphone-is-mobile-chinas-leading-4g-smartphone.html

Antique Threads - Up to Dating Ruffles and Teacups (Historic Inspiration)

If you listened to my July podcast from the fashion gallery of the Victoria and Albert (V&A) in London, you'll recall that I was in sewist heaven when it came to studying fashions in the V&A's collection.

I haven't even finished blogging about some of my ideas from that trip yet - thoughts on creating new looks based on gorgeous antique and retro garments I talked about and photographed in the V&A - before a new book purchase*  get me heading out to search the free on-web collection at the V&A museum, to look up more details from several historic beauties mentioned in this delicious book.

What's the appeal? Not only are were the
edges of these silk strips left raw, the gathered band
was also twisted in a sinuous pattern.

As a result, I have fallen for a dress. 

It's one of those sewing danger things, right? Bad enough when the inspiration garment is something I might wear only once to a wedding or a performance at the opera, but I had to get knocked over by an embroidered silk doozy from the late eighteenth century. 

We're talking here about twenty or thirty yards of silk. We're talking about major ruffles and teacups. We are talking about something that would not even fit through the door of the mini van!

It's the pinked and scalloped strips of silk on this gown** from the late eighteen century that have me itching to come up with a modern way to use this style of embellishment. But I haven't been able to see past the style of this lovely, but totally impractical for modern times (!) sack-back gown. I couldn't see it in a vest, jacket or skirt. OK, I could but the look would have been waaayyyy too fussy. 

.

I had forgotten, however, about this outfit*** I pinned on my Pinterest Historic and Retro Sewing Board. Me oh my, it gives me ideas for deploying that really cool ruffle. 

Can't you just see that snakey, raw edged, twisted, ruffle in a very light weight denim? I can. It's slithering along the edge of a nicely flowing denim shirt or jacket. Perhaps it's just a touch narrower. And in combination with something like this floral skirt in a lovely, fluid voile - or maybe a homespun style check or plaid like the trim on this skirt -, it would really hit the spot.

I bet you know how it goes. Historically inspired, modern fashion is the kind of sewing daydream that keeps me....

Enchanted by Sewing!

~ ~ ~

Resources

* Seventeenth and Eighteenth-Century Fashion in Detail, by Avril Hart and Susan North 

Search the V&A Collections http://collections.vam.ac.uk

** Details on and photos of the glorious gold sack-back gown at http://collections.vam.ac.uk/item/O127134/sack-back-gown-unknown/

I have several Pinterest sewing theme boards at http://www.pinterest.com/lrshimer/ You don't have to join Pinterest to look at them.


*** I'm not sure of the original context for this garment. I saw it on someone else's board. The only link that comes up for it is 
http://p7.storage.canalblog.com/76/26/647625/85282790_o.jpg

Ench By Sew-11 Fashion Engineering for Work and Play (Interview)

This month, the Enchanted by Sewing Podcast returns from a London vacation, to it's California Roots

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Following up on last month's podcast, the tour of the V&A Fashion Gallery Miss Firbank's Pink Linen Cuff  and Elsa Schiaparelli's Roses Get Me Dreaming ... two recent Vintage Threads postings in my regular blog

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Please send your thoughts about this month or next month's topic - Dress Forms-in the Post a Comment section,  below :-)

Early on in the show Susan and Laurel talk about Susan's
creation of this wonderful snake skirt using patterns and
techniques from
The Colette Sewing Handbook,
Inspired Styles and Classic Techniques for the New Seamstress
A denim skirt from the same pattern has also been a mainstay garment in
Susan's wardrobe 

Snakes Alive ! Environmental Consultant by Day

Sewist by night 
~ ~ ~
No coyotes or mountain lions slipped through the parking lot (as we'd both hoped they might), but snakes alive, did we have a good time talking late into the night! Come along and listen in.

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Hey! The latest and greatest Enchanted by Sewing Podcast has been published!

Two Ways to Listen
i) Listen Right on the Web

i)You can listen to the show right on the web by clicking on the following links

http://traffic.libsyn.com/enchantedbysewing/SnakesAliveFINALCast11Aug_2013EnchantedBySewingPodcastSUSANS.mp3

~ OR ~
ii) Click on this link to iTunes to download these shows to your mobile device (iPhone, Android, etc.) free from iTunes 

Did I miss any links mentioned in the show? If so, please post here and let me know, or else email me at,  EnchantedBySewing AT gmail
~~~ 

I never would have guessed that this self-described fashion engineer came to fashion sewing fairly recently. It seems Susan S. owes many of her early sewing creations  to The Colette Sewing Handbook, Inspired Styles and Classic Techniques for the New Seamstress.

Colette has an extensive pattern line

Susan bought her fun snake skirt fabric (pattern from that Colette book above)  at Satin Moon in San Francisco (Richmond district). 

Britex, just off of Union Square, is another favorite fabric shopping spot for San Francisco Bay Area sewists.

Partial to Colette's patterns, Susan prefers tailored and fit styles  often with, a hint of a retro vibe.

Professional and weekend wear are well integrated in Susan's wardrobe. Business casual is her everyday look and skirts and dresses are important for Susan's girly-girl style, whether at home or work.

In the interview, we touch on... 

• Wardrobing, Sewing With a Plan (SWAP), Susan’s work-home wardrobe is well integrated

• Susan gets her fabric prepped and her creations pressed at Broadway Cleaners, RedwoodCity (San Mateo County, San Francisco Bay Area)

• "Nancy donned a sheath" As well as being an inspiration to professional women since the 1930's, Nancy Drew has always been a woman with a distinctive fashion sense.

• Deadlines and Special Occasion Sewing

• Dedicated Sewing Space and Crafternoons

• Google Sketchup is billed as 3D modeling software

• CA Fashion Styles

      One of both Susan and Laurel's favorite field trips in San Francisco ...Walk from Union Square, down Market Street, out to the Ferry building, for beautiful bay views, and the Farmer’s Market, for people watching and scenery

• CA Work Styles
     Styles vary throughout the Bay Area. Ferry Building commuters in San Francisco have their own sense of style. If you visit the heart of Techie Silicon Valley it's all about tee shirt and jeans. One classic Meetup spot where this look dominates is the Red Rock Café on Castro Street in Mountain View. Venture Capitalists? They've got another look all together.

• Personal Fashion Style, and what's the point of it

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Following up on last month's podcast, the tour of the V&A Fashion Gallery Miss Firbank's Pink Linen Cuff

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Please comment on next month's topic - Dress Forms- 
-in the Post a Comment section,  below:-)

Vintage Threads: Myrna Loy Made the Clothes

Some women identify with Mariyn Monroe, others with Judy Garland. My favorite vintage film star is Myrna Loy, and my favorite images of Miss Loy are as Nora Charles in The Thin Man.

Wouldn't this be your favorite go-to outfit if you were Mrs. Charles? No woman has every looked as pulled together as Nora in this plaid bias-cut skirt, feather-endowed beret and bow combination.  And the shapely black companion jacket pulls it all together. I'd hazard a guess that the plaid is a mixture  of black and red threads on a white background. 

A modern sewist could pull off  the creation of a very similar  ensemble (she might want to ditch the bow tie and feather, to avoid looking a bit too precious) but she could never really put it together like Nora Charles did.

Some folks say that clothes make the woman, but in the case of this great lady, Myrna Loy made the clothes.

Vintage Threads: Retro Cow Gal Denim is Thoroughly Up to Date

63 years after filming, these gals duds are still in style

With some fashions we have to wait for a return to retro. But when it comes to denim duds, their style vibe just keeps on working.

Irene Dunn's jean-jacket and Ann Doran's vest and shirt combination are as classic today as they were back in 1950 when Never a Dull Moment was filmed. The topstitching on Miss Dunn's jacket is particularly inspirational for modern sewists. You can see it up close when you click on the illustration.

Just add some pumped up pouty lips, loose flowing hair,
and a come-hither expression.
Then... as soon as our waistbands move back up from their currently
below the waist position - likely to happen any day-
these nicely fitted jeans, with belt and classic plaid shirt will put
this picture right back in style.

Antique Threads: Miss Firbank's Pink Linen Cuff (Victoria and Albert Fashion Gallery)

One hundred of
Miss Heather Firbank's
garments can by found by
searching the V&A collection

In the Enchanted by Sewing Podcast for July, I took my listeners on an audio tour of London's Victoria and Albert Fashion Gallery. There I described numerous historic garments, as I encountered them. (You can listen to this podcast on line, or download it to your iPhone, Android or other mobile device http://www.enchantedbysewing.blogspot.com) You'll recall that several of the fashions I mentioned in the show, were from the wardrobe of Miss Heather Firbank (daughter of M.P. Sir Thomas Firbank and sister of the novelist Ronald Firbank). She wore them in the early part of the twentieth century (Edwardian  Era 1910-1920).

Well of course that bodice lace is
gorgeous. And we always get a kick from
the s-shaped bodice that made fashionable
gals look like pouter pigeons.

One of Miss Firbank's garments was a beautiful pink linen day dress. It's got a very Gibson Girl look, and reminds me of several of the photos from Agatha Christie's autobiography. You can read more about this dress yourself, by following this link to the V&A collection . That link also brings up other views of the dress and more about the garment. Don't get me started on the pouter pigeon/S-Shaped look and the kind of corset a woman had to wear to create that shape under her clothes. Let's just say that her inner organs were possibly affected and leave it at that.

What most struck me, other than fact that I am particularly

Love the way the round shape of the
self-fabric covered button
draws attention to the squared off tabs
and rounded half circle rising up to meet it.
The lace is pretty,
but don't you think it distracts from
the cuff?

partial to pastel shades of linen, was the cuff.   I'm glad I snapped some detail showing the cuff, because whoever took this part of the collection photograph for the V&A, went mainly for the whole-garment, with some images of the stand-out bodice as well. I know that photographer's not a sewist because he/she didn't include a special photo of the cool cuff.

Don't you love those tabs, cut whole as part of the cuff? And how about those big self-fabric covered buttons and the topstitched edge? Hey, we're sewists! Could we not recreate that? You betcha!

Yes, I do like the waistband too
Don't even get me started on that!

I'm envisioning a loose linen jacket, maybe duster-style, something like what Miss Heather would have worn motoring, except mine would be mid-thigh length and I'd wear it over trousers (no I don't think this fashion forward lady would have been shocked). I'd make my sleeves 3/4 length, like I do my shirts. Because otherwise I always just roll my sleeves up and the beautiful cuff would be lost. I'd love to make a cuff like this up in a shell pink or pale lavender linen. The lace is pretty, but I think it distracts from the shape of those tabs and the nice big buttons. I'd scrap the lace.

Might it also work in a mid-weight dark blue wool jacket or coat, with a red silk lining or piping that just peeked out from behind? I'd cut the cuff lining just slightly bigger than the outside part of the cuff so that it brought up an edge to highlight the tabs. And definitely the topstitching would add the right kind of finish. But blue or red topstitching.... not sure. Would need to test that out. I'm sure I'd find some beautiful buttons to draw attention to the cuffs too - metal maybe...

Or how about one of those polyester (or real silk) brocades that have the pretty wrong side in contrasting colors? Again, cutting the lining side a big longer - and making the wrong side be the right side for the lining - would draw attention to those tabs. And of course then I'd cover the buttons with that wrong side of the fabric too.

Dreaming about how I might incorporate ideas from this gorgeous antique cuff keeps me... enchanted by sewing.