Buttercup Purse inspired by London

Wouldn't this regale dame have enjoyed
carrying my latest buttercup purse creation?

Hey, check out that cool little purse the grand lady is sporting!

No, that little bag is not original to the poster, which advertised the exhibit I so enjoyed on my recent trip to London (I talk about creating this  project and London through a sewists eyes, in my June Enchanted by Sewing podcast *). I hand-sewed this buttercup purse while traveling to and within England. This simple pattern was great for stitching on plane and train.

Historic clothing
detail inspired my pearl and glass beading design on my buttercup purse

I went to the In Fine Style exhibit just about the time I got to the beading part of the project, and found inspiration for my pattern there in the Queen's Gallery at Buckingham Palace.

I'll remember historic fashion inspiration from
my London trip, every time I slip this purse on,
pop in a mobile device and head out for a walk.

Back home now, I've been carrying this fun little purse on my daily walks. It's perfect for holding my coin purse, reading glasses and iPhone. I'm sure the regal lady in the poster, would have had enjoyed stowing her mobile devices  there as well:-)

Taking inspiration from historic designs keeps me, enchanted by sewing.

* Click here to look for pattern and exhibit links in the Show Notes for the June Enchanted by Sewing podcast 

It's how it looks AND How it works (historic design)

Were Frances Stuart's clothes
designed to work?
What did she need to do
 while wearing this glam outfit?

This portrait is from an exhibit I went to on a recent trip to London. I talk about visiting London through a sewists eyes, in my June Enchanted by Sewing podcast.

This dress is gorgeous all right, but does it have anything to do with something a middle class California woman would sew today?

Is the tendency to think gorgeous is the be-all-end-all of a garment something that only the gold-satin bedecked Frances Stuart had to cope with three plus centuries ago?

As a sewing student in the Cañada Community College Fashion Program, I was particularly interested to read about the experiences of students at the Academy of Art in San Francisco. The piece (http://www.sfchronicle.com/style/article/Four-Seasons-S-F-serves-up-new-uniforms-4506762.php )  describes a project involving the students designing new uniforms for people who serve food at the Four Seasons Hotel.

This was the phrase that had me laughing. "A normal project, we just design what we like, what we imagine in our heads," she said. "This was different. The winning uniform is actually in production, so we have to think about the function of the design. They have to work in them."

Is that a novel thought, or what? Imagine, clothes that have to move around with the person wearing them, and work!

I may love Frances Stuart's glamorous gold dress, but would I really want to dress up like this? How comfortable was she in her corseted body? What was it like to move around in those skirts? Could she run away from scary things, or jump up and down in joy? What could she have done in this frock?

I love the inspiration I find in this dress- the sleeves, the shimmery golden color, and the lovely belt. And most of all, I love the fact that as a middle class woman of today, I can take ideas from this historic ensemble, and incorporate it into a job-able, comfortable, bike able modern design.

Reinterpreting historic details in modern day garments, keeps me enchanted by sewing.

Traveling Light - It's all Relative :-) (Historical Tripping in London)

Frances Stuart
Duchess of Richmond
by Sir Peter Leley

Inspired by a recent trip to the U.K.

Want to hear more about London through my sewists eyes? Listen in (download to an mp3 device or listen directly on the web) to the June episode of the Enchanted by Sewing podcast Laurel Loves London.

After returning from a two week trip to London and Cornwall , I was thinking about the challenges of packing light. No matter how hard I try to plan in advance I slip too many things in the bag at the last minute. In the case of this last trip, we needed a bigger bag for trekking poles (without which I could not have survived the challenging footing on the coastal trail of Cornwall), which gave me a larger suitcase.

Oh dear, that was a mistake! I just located a universal packing list planner at http://upl.codeq.info, but frankly I think it would just have caused me to put in more stuff than I did. However, I think I can give myself points when I consider the practicality of the garments I did put in.

Bet you dollars to doughnuts that this gal, Frances Stuart (she was also a Duchess of Richmond),  was a much worse packer than I am!

Like... do you think this outfit goes with everything else in her suitcase? Could she use it as a substitute for a raincoat? If she washed it out in the bathroom sink in the hotel room, would you guess it would be dry by morning? Not to mention I'm guessing her beauty and hygiene bag (my husband calls it a 'ditty' bag) was fuller than mine.

So... I'm feeling like a pretty savy traveller right now.

Inspired by London (historical fashion)

On my recent trip to London I hopped the tube over to The Queen's Gallery at Buckingham Palace, to take in the exhibit, In Fine Style, The Art of Tudor and Stuart Fashion (if you're headed to London yourself that show is on through October of this year).

Sure the wealthy ladies and gentlemen in the exhibits portraits indulged in a lot of intricate garments that aren't practical today (nor were they then, for regular folks), but they still inspire plenty of details that do more than just make me utter a long drawn out romantic sigh. They give me ideas for my modern sewing projects.

Here Mary of Modena (a Duchess of York in the late 17'th century) wears a lovely riding habit. Although the lace at her neck may have been unaffordable for the majority of the population, I bet the beautiful hang of her sleeve inspired many a delicate blouse or shirt among the less monied people she encountered. Many of us might still enjoy stitching up a poet shirt with similar drippy hanging sleeves, perhaps in a soft white cotton batiste?

What do you think about her color scheme? I'm pretty partial to the way the soft peach in her turned back jacket sleeve and lining, picks up the brown tones in the primary fabric. A modern day vest (think waistcoat in the U.K. of course) or jacket sewn in an embossed print with a peachy lining would be a beauty!

My very favorite detail in this habit, is the welt pocket. It caught my attention the minute I spied the portrait. Though I think of a welt as being a subtle little detail, her ladyship's mantua maker drew everyone's eye to this practical little pocket, by displaying the lining and not hiding the opening with the welting strip I associate with this feature. (So does this really count as a welt pocket? No matter, it plays the same function in the garment.) She highlighted the pocket even more by embellishing it with an oval of the same carmel/honey colored buttons that would nicely suit our modern jacket or waistcoat. This gorgeous opening also looks to be farther down the hip than we might typically find it, but oh so practical for our spare change, or the handkerchief many of us still carry there, just as Mary very likely did.

Historical Inspiration keeps me enchanted by sewing!